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Bright eyes, glowing skin British mother, 22, who caught COVID after refusing vaccine causing her baby girl to be born prematurely and This church, its site, is a historical and cultural landmark for Britain. It would be a noble and necessary thing to do. In recent years archaeologists working nearby have uncovered the remains of two key theatres linked to Shakespeare's early career, The Curtain and The Theatre.
Both were near the playwright's lodgings during his formative, largely undocumented years in east London. Shoreditch was, and remains, an area notorious for drinking and disorder, a maze of alleys dotted with marshy fields, rank with crime and the haunt of actors and musicians. Opened in , The Theatre was London's first purpose-built playhouse and was run by actor-manager James Burbage. The site was excavated in by experts from the Museum of London Archaeology.
The population of the parish subsequently declined and eventually St Saviour was subsumed into the parish of St Mary in It gradually decayed, a process accelerated by the robbing of the church for building materials. For the last two centuries the site has provided a tranquil destination and a place of contemplation for generations of local people, walkers, naturalists and antiquarians. It is also the final resting place of a number of local residents including 'the people's naturalist', Ted Ellis writer, curator and founder of Wheatfen nature reserve.
St Saviour was repaired and preserved in The three-light window has reticulated and flowing tracery in a two-centred head with a hollow-chamfered label, all of —5. There are three two-stage buttresses and all, except the westernmost, have plinths. The four main windows, of —5, are identical, of three transomed lights with vertical tracery under hollow-chamfered labels. The pointed-arch doorway at the W. The flanking masonry may be reworked mediaeval stone.
The gabled W. There is a worn moulded plinth. A two-stage buttress at the N. There are two windows, one above the other. The upper one is of three trefoiled lights, with vertical tracery in a two-centred head under a hollow-chamfered label. The lower window, square-headed without a label, has similar details to the upper window, but the mullions are square in section internally and it has a wooden lintel beneath a brick relieving arch at the head.
The South Aisle is uniform with the North, but retains no mediaeval walling and the old foundations appear to be all of magnesian limestone. The S. Above the S. The W.
The 15th-century West Tower Plate 12 is partly overlapped by the aisles. It is of three stages, with a string-course between the top two stages, and has a battlemented parapet. At the lowest level, the N. Beyond the W. The tower arch is of two hollow-chamfered orders which die into semi-octagonal responds without capitals and has a hollow-chamfered label towards the nave.
The upper stages are square on plan internally, and the load from the oversailing masonry at the E. The floor of the middle stage is supported on ten reset grotesque 12th-century corbels, five on the N. The middle stage is lit by a two-light window with vertical tracery and a two-centred head in the W. The top stage is lit on all four faces by three-light louvred openings with four-centred heads.
There are multiple-stage buttresses in the planes of the E. The timber Roofs of the chancel and nave are of five bays. The arched-braced collar-truss, marking the sanctuary, and the three queen-post trusses to its W.
Fittings—The removal of the 19th-century floor in revealed a number of Indents, Coffin Lids and Floor-slabs, which are shown below, under the respective headings, within square brackets. Seller, Ebor'; 2 small plain sanctus bell, probably 18th-century.
Bell-frame: of oak, with three pits, the trusses having central posts and downward braces supporting saddles Fig. Benefactors' Tables: in tower, on N. Brackets: in tower, on N. Brasses and Indents.
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